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Traffic Light Sunset

collection een
collection beeld twee
collectie beel drie
collection image tree
collections four
collectie beeld vier
collection beeld vijf
collection image five
collectie zes
collection zess
collection seven
collecie beeld zeven
collection acht
collection eight
collection negen
collection negen
collectie negen
collectie nine
collection negenn
collection nine
collectie tenn
collectie tien
collectie beeld eleven
collectie beeld elf
collectie beeld final

Analogue photography: Quilla Van Lieshout

Digital photography: Manou van den Berg

Models: Falcona, Welmoed Bosh, Mina Lord, Micha Zaat, Vito Flut.

collctie catwalk

Lichting Selection During Amsterdam Fashion Week.

procces two
procces 4
Jean Baudrillard | Photographs (1996)
An anthropological arrangement that establishes a relationship with objects
t shirt t3ch.jpg
print
proccess one
procces tree
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procces nine
09_Jean-Baudrillard-Sainte-Beuve-1987
procces ten
peter doig
Magical Realism
“We are offered a new style that is thoroughly of this world that celebrates the mundane. This new world of objects is still alien to the current idea of Realism. It employs various techniques that endow all things with a deeper meaning and reveal mysteries that always threaten the secure tranquility of simple and ingenuous things.... it is a question of representing before our eyes, in an intuitive way, the fact, the interior figure, of the exterior world.” - Franz Roh writer of the first manifesto about Magical Realisme(1950).
Peter Doig (2006) 
Cricket
catwalk image
print
sunset
blinds
print
Jean-Baudrillard-Frontei
Jean Baudrillard | Photographs (1996)
An anthropological arrangement that establishes a relationship with objects.
IMG_0135.JPG
colbert
oma 1
oma 2
oma 3
oma 4
senset glasses
sunset procces
sunset glasses
Sunset Sunglasses
sunset kapot
car sunset
catwalk3
Jean-Baudrillard-Brugges
sunset blouse
Jean Baudrillard | Photographs (1996)
An anthropological arrangement that establishes a relationship with objects

This Collection evolved out of my personal need to research the clothing that I normally don’t put that much attention on. I felt it was time for me to look at the things that we all wear everyday and look for the magic in those pieces. It was also a way for me to research why I design clothes in a world that is full of clothes, looking for what clothing means to me but also to others.

Want to see or know more? email me at manouvdberg@gmail.com
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